Words Of Fire: Part 1

Recently, my department chairman asked all of us to write about a piece of literature that was important to us. He asked us to find a quotation and then write about what it means to us. His assignment was based on the collection, Teaching with Fire, which is described as a, “glorious collection of the poetry that has restored the faith of teachers in the highest, most transcendent values of their work with children.”

What do I choose? What do I write about? Frankly, I haven’t had a crisis of faith about teaching, so there hasn’t been a piece of literature that has restored it. I do not have a single text that is my touchstone and source. So I tried to reframe the assignment: could I find a piece of literature that represented my teaching values? What about a piece of literature that I loved? How about something that really worked in the classroom?

The real source of my teaching values is my own educational experience. It was in the classrooms of giving and gifted educators that I discovered the reasons I am a teacher. It helped that I studied with the same college professors who had trained many of my high school teachers. My mentors’ mentors guided me! Yet, I can clearly recall a statement that shaped my beliefs and crystallized my “prime directive:” the goal that I should do everything I can to foster the independence of my students. So it made perfect sense, when I read about the concept of approval/disapproval in Viola Spolin’s Improvisation for the Theater:
“We either fear that we will not get approval, or we accept outside comment and interpretation unquestionably. In a culture where approval/disapproval has become the predominate regulator of effort and position, and often the substitute for love, our personal freedoms are dissipated… We do not know our own substance, and in the attempt to live through (or avoid living through) the eyes of others, self-identity is obscured, our bodies become misshapened, natural grace is gone and learning is affected…The expectancy of judgment prevents free relationships within the acting workshop…True personal freedom and self-expression can flower only in an atmosphere where attitudes permit equality between student and teacher and the dependencies of teacher for student and student for teacher are done away with. The problems within the subject matter will teach both of them.”
I clearly remember the extensive discussion of this concept in my college class. The goal is to help students find intrinsic motivation for their learning rather than do it to be patted on the head like a good dog. We were warned against motivating students merely with the desire to please us, their teachers, or the fear of displeasing us. Instead, we were challenged with the task of helping them meet the subject matter on their own terms and find themselves in the learning. It is a powerful and difficult concept. With each of my choices in the classroom, I try to say to my students, “don’t do this for me; don’t do this because I will smile or frown on you; don’t do this because you like or dislike me. It isn’t about me. It is about you.” It is my job as the teacher to create the environment and circumstances for my students’ learning and then get out of the way!