If You Haven't Been to A Fan Run Science Fiction and Fantasy Convention, You Are Missing Out!

My family thinks I go to the big commercial conventions that get a quick story on the TV news, but they are not the conventions I love and regularly attend. I go to conventions that are for the fans, run by the fans, and are joyous, inclusive, and multifaceted celebrations. 

What’s the difference? 

My science fiction and fantasy (SFF) conventions are not for profit. They are run by a team of amazing volunteers. They are not marketing or sales events. These conventions are usually much smaller, a few hundred to a few thousand people, and are held in a hotel, not a conference center. These conventions are local and connected to their cities, towns, and states. They feature a wide variety of activities instead of one or two big stages. They have panels, of course, but also music, art shows, gaming, films, exhibits, performances, food, costumes, activities for children, demonstrations, and a dealers room. These dealers rooms are smaller than the massive rows of merchandise at for-profit conventions, but they feature local small businesses, booksellers, authors, and craftspeople. 

Local conventions are focused on movies, television, games, and books! In fact, many local conventions are part of a network called the World Science Fiction Society that sponsors an annual World Science Fiction Convention (usually called Worldcon). This summer it is in Glasgow, Scotland. In 2025, it will be in Seattle, Washington. At Glasgow, the attendees will vote on where Worldcon will be in 2026! 

At Worldcon, in addition to all the activities above (and more), the annual Hugo Awards are given. This is the science fiction and fantasy community’s Oscar night; the awards given by the fan community. It is a splendid and spectacular event – and if you are part of Worldcon, you can vote! 

Community is one of the key features of a local not-for-profit convention. The larger events are done by professionals and used as marketing vehicles for studios and networks. Smaller, local conventions invite participation, conversation, and community. Newcomers are welcomed and become part of the family. Sure, you can purchase stuff, but the fandom community is the center of the celebration – not the selling or marketing of products. 

Do you enjoy reading or watching science fiction or fantasy? Do you want to discuss your ideas with others? Do you long not to be told that “you are the only one interested in that?” Then these conventions are for you. 

Oh, yeah, they are way less expensive than the cons that have to pay stars, rent huge exhibition halls, and advertise in the media. They are the best convention value around -and they might just change your life! 

I like going to an occasional Comic Con like C2E2 in Chicago or Wizards World or Creation’s Star Trek conventions. There is a place for both kinds of conventions. However, if I had to choose one, I would go to my local conventions without hesitation. My people are there. My friends are there. I am not merely an audience member, I am part of the family. I don’t spend my entire weekend sitting in a seat in a huge auditorium watching something far away. I go to panels about books, television shows, and topics like science, humor, music, and games. I wander through a wonderful art show and talk to strangers (who become con friends) and have a nosh at the con suite. I listen to poetry and singers at the café (and see others enjoy the coffee). I might learn about constructed languages and get a basic Klingon lesson. I reminisce about books, movies, and TV series that I cherished from long ago. I participate in book club discussions. 

Join us! There are local cons everywhere. I regularly attend the two Chicago area conventions: Windycon in November and Capricon in February. In July, I travel to Minneapolis for Convergence. I try to go to the Worldcon in the late summer. Come join the celebration! Come have those wonderful discussions you can only have with people who share your love for these special genres. And if you really like it – volunteer and make it even better! 

And if you see me, please come over and say, hello!

Forgetting the Painful Past: Strange New World’s “Among the Lotus Eaters”

What happens if you can no longer recall who you are and where you come from? What are the effects when groups’ collective and individual memories are erased? What are the political implications when parts of society retain their history and other parts lose theirs? 

These are questions many people are asking when Black, Queer, and other histories have been removed from public school curricula. Legislators in several states have banned the teaching of subjects that they think will make some children uncomfortable while their removable makes others upset. Clearly, these topics might also make some adults uneasy. 

I don’t usually write reviews, but as I read commentaries on the most recent episode of Star Trek: Strange New Worlds, no one directly addressed how this episode connects to this issue. 

In “Among the Lotus Eaters,” the crew of the Enterprise returns to a place of pain. They must “clean up” the mess they made when they had a very short but tragic visit to a planet in which three crew members died and several others were wounded. This visit seems to have resulted in “cultural contamination” where the iron age culture of the planet somehow has a Starfleet symbol, a clear violation of their non-interference order, the Prime Directive. 

Captain Pike and his crew must face their terrible past and try to deal with their interference in the development of this primitive world. Pike holds himself accountable for the fates of those under his command and accepts the responsibility of setting things right. However, when his crew arrives on the planet, they find these primitive people have phaser weapons and the delta symbol of Starfleet adorns the gates to their castle. Something is horribly wrong. 

Pike discovers the cause: one of the crew members Pike believed had died survived and made himself the ruler of the planet. Pike and his crew are attacked and awaken in a cage – and they no longer know who they are, why they are there, or what happened before. They have lost their memories. 

The dynamic of a ruling class that can retain their memories and a worker class that has no memory seems to me to be a science fiction commentary on our refusal to face our country’s past, whether our relatives were part of it or not. Even outsiders, like the surviving crew member, benefit from and exploit this memory-based caste system. 

When Pike and his landing party confront another worker, the worker rationalizes his lack of memory telling them that memories would be painful. The worker doesn’t want to remember his family, if he lost them. He doesn’t want to feel grief, pain, anger, and unhappiness. Having no memory saves him from this kind of discomfort and makes his toil more bearable. Sound familiar? 

However, our Enterprisians, even without their memories, retain key parts of themselves. Captain Pike knows that he has been separated from someone he loves and instinctually takes leadership. Lt. Ortegas finds strength in her ability to pilot the ship. Dr. M’Benga is driven to heal those in pain. 

When Pike finally confronts the wayward crew member, we learn that the ruling class has been manipulating the workers with fiction about their lost memories. They have used the workers’ lack of history to their political advantage. People without a past don’t cause problems or challenge the rulers. Repressing history and losing memory are the key elements in maintaining this abusive society. 

As our crew regains their memories and figures out how they came to be in this situation; our guide remembers his lost family. Tearfully, he acknowledges that even painful memories are better than none at all. 

In Greek mythology, the lotus eaters were a community that ate a fruit that put them into a drug-like sleep and thus they did not care about important things. They needed to come out of their daze and wake up in order to take real action. 

This episode was about the danger of falling asleep, losing our history, and thus losing ourselves. The danger was not only for the crew of the Enterprise on Rigel VII, but, a comment about our current world.  

We need to wake up! We must not lose our histories and thus lose ourselves. We must not let people erase the past for political power and personal gain. Our individual and collective histories are critical to us and our societies. As Captain Pike notes at the end of the episode, such forgetting is not a natural development. He rightfully justifies altering the situation so everyone may remember and takes the power-hungry despot into custody. 

There has been a lot written about how the newest Trek shows are “woke.” There have been complaints that they make political statements. The original Star Trek in the 60s made bold and clear statements about everything from racism to the Vietnam War. Star Trek and science fiction are, by their very nature, social and political commentary. 

This episode was directly addressing the need to hold on to our history, even when it is uncomfortable to face. It challenges us not to become lotus eaters but to wake up and confront the problems of our uncomfortable past and clean up the messes that we have made or inherited. 

Whether or not you agree with the message, “Among the Lotus Eaters”  does what good science fiction, good Star Trek, and good literature always does: use stories and characters to help us see our world in a new way – and inspire us to change for the better. 

Nineteen Eighty Florida

“To the future or to the past, to a time when thought is free, when men are different from one another and do not live alone—to a time when truth exists and what is done cannot be undone: From the age of uniformity, from the age of solitude, from the age of Big Brother, from the age of doublethink—greetings!”

Although written by Orwell’s 1984 protagonist, Winston Smith, this message might be a missive from the sunshine state, which is increasingly making certain that the sun only shines on what is state approved and those who get up in the morning must go right back to sleep. Big Brother is alive and well in Florida. 

The state government of Florida –and the states emulating it - are taking their cue from Orwell’s classic dystopian novel. They are rewriting history, stifling free expression, and creating hated scapegoats. All of this to strengthen and sustain the power of, using Orwell’s label, the Party. 

The forces that are squelching any communication about topics that hurt the Party’s feelings are akin to the Ministry of Truth in Orwell’s novel. In 1984 there are four ministries: the Ministry of Peace, which makes war, the Ministry of Love, which is the secret police, the Ministry of Plenty which rations resources, and the Ministry of Truth, which among other things, rewrites the past so it justifies and supports the party’s political and social goals. 

“Past events, it is argued, have no objective existence, but survive only in written records and in human memories. The past is whatever the records and the memories agree upon. And since the Party is in full control of all records and in equally full control of the minds of its members, it follows that the past is whatever the Party chooses to make it. It also follows that though the past is alterable, it never has been altered in any specific instance. For when it has been recreated in whatever shape is needed at the moment, then this new version is the past, and no different past can ever have existed. This holds good even when, as often happens, the same event has to be altered out of recognition several times in the course of a year.”

Like in 1984, Floridians have been given a menu of people to hate: Black people, Trans people, gay people, drag queens, immigrants, and anyone who disagrees with the Party’s views. All evils are attributed to those who are “woke,” although they struggle to define what that means. The world of 1984 has the Two Minutes Hate every day. Like Florida, all evils were attributed to the traitor Goldstein and his organization, the Brotherhood.  

“The programmes of the Two Minutes Hate varied from day to day, but there was none in which Goldstein was not the principal figure. He was the primal traitor, the earliest defiler of the Party’s purity. All subsequent crimes against the Party, all treacheries, acts of sabotage, heresies, deviations, sprang directly out of his teaching.”

Hate, fear, and the manipulation of history are critical to sustaining the Party in the novel. But why would Americans, who value our freedoms, abandon them? How can they believe “alternative facts”, political spin, and propaganda that are obviously designed to manipulate them? They just need to defeat their own memories and morality. 

“The Party said that Oceania had never been in alliance with Eurasia. He, Winston Smith, knew that Oceania had been in alliance with Eurasia as short a time as four years ago. But where did that knowledge exist? Only in his own consciousness, which in any case must soon be annihilated. And if all others accepted the lie which the Party imposed— if all records told the same tale—then the lie passed into history and became truth. ‘Who controls the past,’ ran the Party slogan, ‘controls the future: who controls the present controls the past.’ And yet the past, though of its nature alterable, never had been altered. Whatever was true now was true from everlasting to everlasting. It was quite simple. All that was needed was an unending series of victories over your own memory. ‘Reality control’, they called it: in Newspeak, ‘doublethink’.”

Republicans who vote for abortion bans (but make sure that their pregnant people get them), condemn drag shows (and then turn up in drag), and insist that banning guns will not protect anyone (and then ban guns from their gatherings) are hypocrites. But even more, they and their followers are also experts at “reality control.” They have mastered “doublethink.” 

“Doublethink means the power of holding two contradictory beliefs in one’s mind simultaneously, and accepting both of them…To tell deliberate lies while genuinely believing in them, to forget any fact that has become inconvenient, and then, when it becomes necessary again, to draw it back from oblivion for just so long as it is needed, to deny the existence of objective reality and all the while to take account of the reality which one denies—all this is indispensably necessary. Even in using the word doublethink it is necessary to exercise doublethink. For by using the word one admits that one is tampering with reality; by a fresh act of doublethink one erases this knowledge; and so on indefinitely, with the lie always one leap ahead of the truth. Ultimately it is by means of doublethink that the Party has been able—and may, for all we know, continue to be able for thousands of years—to arrest the course of history.”

Fox News's editing of the events of January 6th is a public expression of doublethink. It is a revision of the facts into a form that fits Florida and its followers. To admit that racism is built into the fabric of our country and history, to accept responsibility and deal with the real issues and challenges facing us, to protect children in their schools, people praying in church, moviegoers in the theater, and shoppers in the mall from gun violence is not important. Battling drag queens, sexy candy, and elementary school teachers is far more critical than any other social ill. 

There is more, of course. The society of 1984 is divided by class, insiders and outsiders, party and proles. Further into the book, the similarities to Florida intensify. Orwell took the Soviet Union as his model for this novel, just as many Republicans are big fans of Russia’s Putin. 

Spoiler: Orwell’s 1984 doesn’t end well for Winston and those who rebel against the party. The power of the party broaches no compromise and has no compassion. It is a state run by fear, hate, lies, and violence. To quote Winston (and Orwell), “Down with Big Brother.” 

Reading For Treasure: My Articles!

Reading for Treasure is my list of articles that are worth your attention. Click here for an introduction!

In the past few weeks, I have had an essay published and been featured in an article in two Jewish publications. So, this month, here are these two articles, both dealing with religion. 

When Humanistic Judaism Magazine decided to focus its winter issue on Judaism and science fiction, several people reached out and asked me if I’d like to contribute. It is true that my first experiences with science fiction were at my congregation’s religious school on Sundays. My love of science fiction and my philosophy as a Secular Humanistic Jew are two of the most important elements of my identity. So of course, I wrote a piece similar to my blog posts. This link is to the preview version of the magazine. My essay, “Sunday School Made Me a Science Fiction Fan,” is on page 12. 

Tablet Magazine is a Jewish publication that covers a wide range of topics from news and religion to culture, history, and sports. They have been exploring the diversity of the Jewish community through a series of discussions called “The Minyan,” which they describe as, “Roundtables on the state of the American Jewish community, bringing together people from a shared demographic or background—everyday people with personal opinions, not experts who earn their salaries discussing these issues.” A reporter reached out to me to participate in an online gathering of Jews who did not believe in God in the traditional sense of the concept. The reporter gathered a group virtually and we had a fascinating and thoughtful conversation that was published in this article. In addition to the article, a podcast version of this conversation will be released sometime soon.

Currently, I am reading Babel: Or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution by R.F. Kuang

Cherishing the Science Fiction Fan Community at Chicon 8: The 80th World Science Fiction Convention

Over Labor Day weekend, I attended the Eightieth Annual World Science Fiction Convention at the Hyatt Regency in downtown Chicago: Chicon 8. It was a spectacular and enormous celebration of the genres I adore. It also celebrated the community of fans who have been gathering this way for decades. While there was a world convention in D.C. last December and a virtual one the year before that, this was the first time this number of fans had gathered in person at this scale. I am so grateful to have been able to be a part of it – and it has made me even more appreciative of the people who did the real heavy lifting that made it happen. 

I have been to many fan conventions. If you want to explore the difference between a fan con and something like Comic Con, click here. However, This was my first time being closely involved in the planning of a convention like this. I was involved for more than three years supporting those who were doing the real work of setting up this convention. Then, about a year ago, I got a job working on the con.   

My role for this convention was to reach out to local people, groups, businesses, and others and help them get involved in the convention. I talked to libraries, museums, bookstores, game stores, fan groups, meet-up groups, businesses, magazines, other conventions, media, and anything other organization I could think of. I asked them to be presenters, bring exhibits, participate in our art show, place ads in our program book, or be involved in many other ways. This was a local special opportunity; it has been a decade since the World Convention has been in Chicago and no one knows when it will return.

I sent out reminders as various deadlines approached, “Only one week more to be a program participant, two weeks to sign up for a fan table” – and so on. This meant that, as the convention drew near, my workload decreased as these dates passed. 

So before the convention, I responded to an email calling for volunteer help. I ended up working in the program operations office and assisting with the masquerade. 

It was wonderful! Whether I was helping put up signs, letting panelists know they need to finish in a few minutes, answering questions, directing people to rooms, or shepherding costume contestants through the stages of being judged, there was one clear common detonator: shared joy. 

On Sunday night, I attended the Hugo Awards presentation. It is like the Academy Awards – only geeky! As I listened to the winners’ acceptance speeches, I gloried in the company of this remarkable fan community. We bond over ideas, words, concepts, and stories. We are interested in how science and the arts intersect. We are an inclusive, diverse, and welcoming community to anyone who wants to join us – for the most part. No community is without areas for growth. 

I attended many panels over the course of the convention weekend. These panels’ topics ranged from Star Trek to banning books to teaching science fiction and fantasy to racism and bias in the genre. I discovered new books, shows, and movies and learned new ideas about those I was already reading and viewing. I also connected to new people from whom I could learn. 

Thank you to this year’s con chair Helen Montgomery and the many people who played Atlas through the five days of the convention. Thank you to fans who traveled from all over the world to join the celebration. Thank you to the volunteers, speakers, artists, musicians, costumers, authors, creators, and everyone else who lent their energy, creativity, money, and time to this wonderful enterprise. (Yeah, I just did that). 

I have enjoyed these conventions and the people who attend them for years. Now that I have the time, volunteering has deepened my appreciation and commitment to them. 

Thank you to the entire community of Chicon 8, the World Science Fiction Society, and everyone who participated in any way. I’ll see you at a convention soon – where I intend to raise my hand and help! 

By the way, we have two wonderful local conventions in the Chicago area: Windycon is November 11 to 13, 2022 and Capricon is February 2 to 5, 2023! 

Reading For Treasure: Hope from Star Trek and Science Fiction

Reading for Treasure is my list of articles that are worth your attention. Click here for an introduction!

There is a new science fiction sub-genre called hopepunk. According to Wikipedia, hopepunk stories “are about characters fighting for positive change, radical kindness, and communal responses to challenges.” Coined by author Alexandra Rowland as the opposite of grimdark, “The aesthetic of hopepunk is generally agreed to incorporate a mood of gentleness or softness and a sense of self-awareness of weaponized optimism, with a worldview that fighting for positive social systems is a worthwhile fight. There is an emphasis on cooperation as opposed to conflict. There is an awareness within hopepunk works that happy endings are not guaranteed and that nothing is permanent.” Here is the Vox article from which that quotes come: “Hopepunk, the latest storytelling trend, is all about weaponized optimism.” 

Some Star Trek stories could certainly be hopepunk. Emmet Asher-Perrin writing on Tor.com explores the way that the latest incarnation of this franchise, Strange New Worlds, takes the Hero’s Journey and turns it into something far more important and optimistic than the way it shows up in superhero and other traditionally portrayals: “How Star Trek: Strange New Worlds Reimagines the “Hero’s Journey” for the Better.” Be aware there are spoilers in this article. 

CNN also recognized the power of Star Trek’s hopeful outlook: “The New ‘Star Trek' series couldn’t come at a better time.” This article does not have spoilers and is safe for those who have not yet watched Strange New Worlds – and you should! 

Star Trek has improved the real world in many ways: one of the most powerful and hopeful is the work of Nichelle Nichols, who played Lieutenant Uhura in the original series. The article, “From Star Trek to the White House, The World Remembers Nichelle Nichols” from TrekMovie.com is much more than a list of tributes from important voices. It also includes several wonderful video tributes, so scroll to the end. The documentary about Ms. Nichol’s work on the space program, Woman in Motion, it is also well worth viewing. Like all of Star Trek, it is on Paramount+. 

During the worst of the early pandemic and the years that preceded it, I found solace and hope in a quirky half-hour situation comedy called The Good Place. This lovely expert from a book by its creator,  Michael Schur, explores some of the powerful and optimistic philosophic questions that made the series such a delight. The Literary Hub published the excerpt, “Good Place Creator Michael Schur Wonders: What Makes Someone Good or Bad?” If you haven’t seen this series, it is worth a watch! 

Star Trek and several other on-screen science fiction franchises have been working hard to be inclusive. The first of the “Nu Trek” series, Star Trek: Discovery,  features a Black woman in the leading role (and now, finally, as a captain) and all five of the new series have gone where no science fiction show has gone before with representation. Nonetheless, there are fans that were shocked to see that Star Trek (and some other famous series) are so left-leaning. I don’t how they missed the message in earlier incarnations of Trek. So we’ll finish with a little laughter at their expense from Carolos Greaves in McSweeny’s, “This Fictional Universe is Getting Way Too Diverse.” 

I am currently reading A Master of Djinn by P. Djèlí Clark. 

Time Enough for Heinlein

There are books that we treasure. There are books that live in our minds. There are books that shape our identities. For me, the writing of Robert A. Heinlein, but especially Time Enough for Love and Stranger in a Strange Land were formative reads. I read them as a high school student and, time and again, I keep coming back to them. 

I have reread Stranger several times since high school, but recently, I reread Time Enough for Love for the first time in decades. I had forgotten about the novel’s almost uncomfortable exploration of love taboos. What I remembered strongly were two other aspects of the novel: The character and wisdom of the main character, Lazarus Long, and his wonderful list of aphorisms in his “notebooks.” 

I have quoted these aphorisms from memory ever since. I have posted them on my dorm room door in college and used them as sample belief statements in my Sunday school class. One, in particular, formed the basis of final exam essay question, and another has justified adjourning congregational committee meetings for more than two decades! I will list some of these wonderful, wise, and clever statements a little later. 

Time Enough For Love argues that, “The more you love, the more you can love — and the more intensely you love. Nor is there any limit on how many you can love. If a person had time enough, he could love all of that majority who are decent and just.”

That majority includes everyone – and this book explores that in-depth. Everyone means that you could love, passionately and sexually, the people our society says you can only love in a platonic non-physical way: your family! I had forgotten how this novel took the idea that long-lived people might eventually fall in “Eros” love with their children, siblings, and parents. In fact, Heinlein’s lengthy and obsessive exploration of our main character’s affair with his own mother was at times both excruciating and cringe-worthy. It made the point – and then kept making it. 

What stuck with me as a teenager was not the incestual nature of the book, but the wisdom the oldest man alive shared. His thoughts about love, for sure, but also about religion, politics, and plain old not-so-common sense. 

So here are only a few of the wonderful aphorisms from “The Notebooks of Lazarus Long.” 

Heinlein was clearly a religious skeptic, another point that would have made this book a winner for teenaged (and later) me: 

“History does not record anywhere at any time a religion that has any rational basis. Religion is a crutch for people not strong enough to stand up to the unknown without help. But, like dandruff, most people do have a religion and spend time and money on it and seem to derive considerable pleasure from fiddling with it.”

“God is omnipotent, omniscient, and omnibenevolent-it says so right here on the label. If you have a mind capable of believing all three of these divine attributes simultaneously, I have a wonderful bargain for you. No checks, please. Cash and in small bills.”

“The most preposterous notion that H. Sapiens has ever dreamed up is that the Lord God of Creation, Shaper and Ruler of all the Universes, wants the saccharine adoration of His creatures, can be swayed by their prayers, and becomes petulant if He does not receive this flattery. Yet this absurd fantasy, without a shred of evidence to bolster it, pays all the expenses of the oldest, largest, and least productive industry in all of history.”

“Sin lies only in hurting other people unnecessarily. All other sins are invented nonsense. (Hurting yourself is not sinful - just stupid.)”

Several of Lazarus Long’s statements might be commentary on today’s political issues: 

“What are the facts? Again and again and again-what are the facts? Shun wishful thinking, ignore divine revelation, forget what “the stars foretell,” avoid opinion, care not what the neighbors think, never mind the unguessable “verdict of history”--what are the facts, and to how many decimal places? You pilot always into an unknown future; facts are your single clue. Get the facts!”

“Does history record any case in which the majority was right?”

“A generation which ignores history has no past—and no future.”

“The two highest achievements of the human mind are the twin concepts of “loyalty” and “duty.” Whenever these twin concepts fall into disrepute--get out of there fast. You may possibly save yourself, but it is too late to save that society. It is doomed.”

“Never underestimate the power of human stupidity!”

Most of the wonderful aphorisms are just plain good advice:

“Everything in excess! To enjoy the flavor of life, take big bites. Moderation is for monks.”

“Yield to temptation, it may not pass your way again.”

“If you don’t like yourself, you can’t like other people.”

“A motion to adjourn is always in order.”

“Do not handicap your children by making their lives easy.”

“Sovereign ingredient for a happy marriage: Pay cash or do without. Interest charges not only eat up a household budget; awareness of debt eats up domestic felicity.”

“Another ingredient for a happy marriage: Budget the luxuries first!”

“To stay young requires unceasing cultivation of the ability to unlearn old falsehoods.”

“Money is truthful. If a man speaks of his honor, make him pay cash.”

“Anything free is worth what you pay for it.”

“Pessimist by policy, optimist by temperament--it is possible to be both. How? By never taking an unnecessary chance and by minimizing risks you can’t avoid. This permits you to play the game happily, untroubled by the certainty of the outcome.”

There is no doubt that some of Heinlein’s writing has not aged well. Many of his ideas were chauvinistic and sexist. His portrayal of women is deeply problematic. Yet, unlike some of the other important writers of the golden age of science fiction, his work is still engagingly readable and shockingly relevant. 

That may be why, once I finish reading the Hugo nominees, I am going to read The Cat Who Walks Through Walls! 

Reading for Treasure: June is the Start of Summer Reading

Reading for Treasure is my list of articles that are worth your attention. Click here for an introduction!

Summer is an opportunity to pick up good books and read, read, read! June is important for many reasons. Now that I am retired, I love having more time to read all sorts of things. Here is a list of articles about books and reading and a few lists of titles you might want to pick up. 

Should the character or views of an author influence our reading choices? Some of my friends will not read books by certain writers because of these writers’ behavior and political involvement. I must say that The Color Purple was one of those few books I read in one sitting. I was dismayed to learn about the author’s anti-Semitism and even more about how the New Yorker treated it differently than another author’s racism: “What The New Yorker Didn’t Say About a Famous Writer’s Anti-Semitism”

I am so glad that I am not the only person who thinks that giving graduates the Dr. Seuss book, Oh, the Places You’ll Go is problematic. Please take a look at the Chicago Tribune opinion piece, “Time to Turn the Page on Children’s Books as Graduation Gifts.”

Two wonderful pieces about reading from The Atlantic.  We have all had books that stuck with us, moved us, and shaped us. For Lauren LeBlanc, that book was I Never Promised You A Rose Garden by Joanne Greenberg. In her article, “The Book That Said the Words I Couldn’t Say,” Ms. LeBlanc talks about the power of this book and the power of reading. Secondly, here is a snarky fun piece from last summer, “Please Don’t Read at the Beach.” 

I am volunteering with Chicon 8: The 80th World Science Fiction Convention coming to downtown Chicago Labor Day Weekend. So I thought it would be fun to think about books set in Chicago. Better yet, you can use this site, recommended by this Lifehacker article to find books set in any location: “This Site Helps You Find Books Set Where You Live.”

Juneteeth comes in June, so here are two Juneteenth reading lists: one from NewsOne and another from Facing History. 

June is Pride Month. Here is a list of the finalists for the Lambda Literary Awards. CNN provided a useful article for LGBTQ+ reading for younger readers: “A guide to LGBTQ summer reading for kids and teens -- from authors themselves.” 

Two good articles from Lit Hub. First, their choices for summery summer reading: “Our 15 Favorite Summery Novels for Summer Reading” as well as their “The Ultimate Summer 2022 Reading List.”

Of course, we must have some genre summer reads! Here are some recent genre award finalists and winners: 

The shortlist for the Nommo Awards, given annually by the African Speculative Fiction Society

The Nebula Winners from the Science Fiction and Fantasy Writers of America (SFWA): 

The fan’s choice: the Hugo finalists! The winners will be announced at Chicon 8: The World Science Fiction Convention in Chicago! 

The books honored by Locus Magazine: Locus Top Ten Finalists

I am currently rereading Time Enough For Love by Robert Heinlein 

Return to the Comic Cons: Cons Run By Fans and Cons Run For Profit

I attend science fiction fan conventions. Since I was in high school, I have loved their community, conversation, and connection. The first conventions I attended were not-for-profit events run by fans. The folks organizing these conventions were doing it for the love of fandom. 

These conventions featured panel discussions, film, video, and game rooms, music events, art shows, dealers' rooms, con suites (to eat and talk), and countless other planned and unplanned fun. They were immersive all day (and much of the night) experiences. The featured guests at these conventions were usually writers, artists, and, in the early days, movie and television creators and stars. Even when I attended alone, I was pulled into parties, conversations, and made friends I still see at cons today. 

In the eighties, soon after the premiere of Star Trek: The Next Generation, I attended some conventions run by companies for profit. These conventions were different than the fan cons. Initially, these pro conventions only had two spaces: a main stage and a shopping mall. Sometimes, there were exhibit spaces as well. The guests at these conventions were almost exclusively movie and television stars and creators. 

Over the years, I had seen all of the original Star Trek series cast and many from the other series at a fan-run convention in St. Louis called Space Trek. However, as the pro cons grew, they became the primary or only way to see the on-screen (or screen-related) celebrities. 

At these pro run cons, I often felt like a commodity. These for-profit conventions were shows. I found a seat in a big main stage room and stayed there most of the day. Many of the presentations felt like commercials. I felt like the Ferengi had taken over the con business. 

To be fair, a few of the fan-run conventions focused far more on literary science fiction than television, movies, or comic books – sometimes with a problematic attitude. I remember a person at a panel sneering, “Haven’t you ever read Left Hand of Darkness?” But this was not true at all fan cons; each one had a unique personality. 

I was introduced to science fiction through short stories and novels and I have always been a reader. I am also an enthusiastic fan of genre television shows and movies. There are fan conventions that catered to all of these interests, even if some had a higher-brow tone. But the pro conventions focused on comic books and media (and related products). The fan cons focused on what the fans who organized and attended them wanted: some were more literary, some were more media-focused, and some included anime, comic books, music, art, and more. 

In the 90s, I was immersed in my career and family, so spending the entire weekend at a convention was impractical. Sometimes, spending a Saturday was a luxury.  I did my best to go to the two local fan-run conventions, Windycon and Capricon, as often as my schedule permitted – which wasn’t as often as I wanted. 

For decades, my connection to fandom was through these two conventions. I did not attend the big comic cons that had become popular or the professionally run conventions focused on Star Trek or newly popular franchises. Since I didn’t have as much time (or money) for conventions, when I went, I wanted to connect with community and have substantive conversations and experiences. The pro cons felt like cotton candy, the fan cons were a sustaining meal! 

As my children and I grew older, I attended a few fan-run World Science Fiction Conventions, which were everything I loved about conventions writ gargantuan. I ventured out and went to a few fan-run conventions out of town. 

Recently, I retired. Now, I have time. I attended my first comic con, C2E2 (Chicago Comics and Entertainment Exhibition). When the folks who run C2E2 announced a major Star Trek convention in Chicago, it felt like an opportunity to reacquaint myself with the pro cons. 

I enjoyed C2E2 and Star Trek Mission: Chicago. However, if I have to make a choice between these stage and store cons and the cons run by fans for fans, I am going to the latter. I had a good time and I met some nice people, but the connections were superficial and commercial. 

All conventions must make money. There are bills to pay. Convention spaces don’t donate their space or resources. However, the commercial focus at C2E2 and Mission: Chicago was prominent. For example, it was very clear that Mission: Chicago’s real mission was to sell the new Star Trek shows. It was peddling all sorts of products and subscriptions connected to them. That was its main purpose. The celebration, exploration, and community were by-products when fans buy products. 

I liked hearing from the stars and creators, yet I missed the analysis and thoughtful conversations that are often present during smaller panels. The comedian emcees at Mission: Chicago did not seem to be fans themselves and often, perhaps unconsciously, took a condescending tone. I sometimes felt like I was at an event for children. 

I met some very nice people and had good conversations with the folks sitting around me. We didn’t walk to the con suite and sit down and talk. We didn’t ask each other, “Where are you going next?” I doubt we’ll see each other at the next con. 

I was pleased to see that both pro conventions had some events beyond the main stage. However, they were few. There were a few costume-related events, a secondary stage, and a panel room (or two); skimpy by even COVID fan con standards. 

The pro cons are not cheap! They want high prices for entry – and all the stuff in the exhibit hall. They also sell products related to their famous star guests: autographs, photo opportunities, and other ways to rub shoulders with celebrities were main items on the menu– for a price. 

Fans created these conventions many years ago. Business people now use them as marketing tools. Conventions, for me, are far more than celebrities and shopping. 

I wonder what all the folks who go to these big productions would think of their local conventions? Would they join a fan group, help with a fan-based charity project, discuss a book, and become more substantively connected to the brilliant, inclusive, and thriving fan family? I hope so. The World Science Fiction Convention is coming to Chicago over Labor Day Weekend. Windycon is in November and Capricon is in February. Join us! 

Reading for Treasure: Looking for a Book to Read?

Reading for Treasure is my list of articles (and other readings) that are worth your attention. Click here for an introduction!

What book should I read? I often use award nominees and journalist recommendations as a way to find good books. So here several lists of books you could read. Many, but not all, are genre lists (my favorite catagory). Many, but not all, come from Tor.com (which is a great source for genre-based information). 

Of course, you could also look at my list of favorite books, but most of these lists are of books written more recently. 

The Hugo Awards are nominated and voted on by the science fiction and fantasy fans through the World Science Fiction Convention. I have found Hugo nominees to be one of the best sources of new authors and works to read. 

The Atlantic has a variety of book lists. Here is their summer reading list. 

The Nebula Awards are given by the Science Fiction and Fantasy Writers of America. These are the awards given by  (and to) the writers themselves. 

The African Speculative Fiction Society’s Nommo Awards recognizes science fiction, fantasy, and horror authors and editors who are “part of the African diaspora.” This is their long list. 

Locus Magazine focuses on the profession of science fiction, fantasy, and horror writing. They have their own awards and provide a very inclusive reading list of books written each year. These lists are wonderful shopping lists for your next book! 

President Obama is a voracious reader. Here is what he recommends. 

Here are the nominees for the World Fantasy Awards. 

The LA Times Ray Bradbury Prize “honors and extends Bradbury’s literary legacy by celebrating and elevating the writers working in his field today.” And, of course, Bradbury is from Waukegan, Illinois! 

The Philadelphia Science Fiction Society along with the Phillip K. Dick Trust give the Philip K. Dick Award to ““distinguished science fiction published in paperback original form in the United States during the previous calendar year…” This article lists the nominees. 

Finalists for the Lambda Literary Awards which are for the best LGBTQ science fiction, fantasy, and horror literature. 

The Shirley Jackson Awards are for  “outstanding achievement in the literature of psychological suspense, horror, and the dark fantastic…”

NPR published this article on "Your 50 Favorite Science Fiction and Fantasy Books of the Past Decade" on the same day I published this list!  

Of course, there are many other awards - and awards in many genres! There’s a lot to choose from! Pick one and READ! 

I am currently reading Ring Shout by P. Djèlí Clark 

VHS Time Capsule

Staying at home during the time of COVID has provided me with time to start to clean out all those old things stored in the basement. My family and I have thrown things away, packed up things for donations, and done a ton of recycling. 

Recently, we pulled four huge bins of VHS tapes out of the crawl space. In them were hundreds of recordings of Star Trek and other television shows I adore. I remember watching the first run of each series with a remote in my hand to edit out the commercials. I was certain that these tapes were going to be the way I got to watch these shows again. 

I had carefully labeled every tape. Each one had a list of the episodes inside the cover. I really felt like I was preparing my future viewing. I did not predict streaming services or DVDs. I no longer even own a video cassette player of any kind. 

So why is it so difficult to part with these tapes? 

It is not as if I am going to sit down and use the tapes, even though I do continue to watch much of the content that is on them. I don’t need old grainy analog tapes to do it. For several of the series, I have purchased DVDs that include closed captions and special features. 

The eldest of the tapes date back to the early 80s. My family was one of the last to purchase a VHS machine. I had been recording Star Trek on audiocassettes because listening was the only way I had to experience an episode other than when it was broadcast. So when that first VHS deck came into my house, there was no doubt what I was recording. 

I knew that the episodes I was recording were edited. I was aware that they had a few minutes cut from them for additional commercials, but at the time, there was no alternative. Even when I could purchase store-bought tapes of the episodes (which I did), they were expensive and I bought them slowly and savored each one. 

As I got older, these became my exercise tapes. I would watch them to make working out interesting and take my mind from the sweat and discomfort of riding a stationary bicycle at 5 in the morning. I still watch Star Trek while working out! 

I bought my own VHS recorder as a gift to myself for my college graduation. Star Trek: The Next Generation was being made and I recorded entertainment shows and tried to find any clip or glimpse of information about this new Trek. 

When the show finally premiered, I made sure that I was in front of the TV, remote in hand, for every episode. I recorded each one twice: once with commercials edited out and one with them left in. I am a big believer in backups. 

I did this for a very long time. 

I recorded The Next Generation, Deep Space Nine, The Original Series, and the Animated Series on these tapes. By the time Voyager and Enterprise premiered, my life had become too complex to edit them live. But now I had a host of other shows: Babylon Five, Earth Final Conflict, Farscape, Alien Nation, and even some I had forgotten (remember Seven Days?).  I have not rewatched all of these series, although as I write about them, I am eager to find the services that stream them, even if I don’t know when I will have time to watch all I would want to. 

I know that these tapes are not the way I will now see these shows. I know that there is no problem with throwing them away or recycling them. But doing so feels like losing something special; something that feels both far away and very dear and important. They are a kind of time portal into a distant past which I don’t want to lose. 

The technology may be obsolete, but the feelings and attachments are not. These tapes are mementos of watching these shows broadcast for the very first time. They are relics of a distant time, heavy relics that are taking up lots of space in my basement. Unlike my affections for these shows, basement space is not infinite. I am going to have to come to terms with letting go of these tapes and being content with the feelings they engender when I watch what was on them. 

The tapes did not record my wonder, joy, and delight in these stories and sagas. Those can never be lost! 

The World Science Fiction Convention Online!

The coronavirus prevented people from traveling to Wellington, New Zealand for the 78^th annual World Science Fiction Convention. I was not planning on making the long trek down under. I was, of course, a supporting member, and planned on participated in voting for the Hugos and site selection from afar. When the convention went virtual, I signed up to attend – online. It was an opportunity to go to a Worldcon from my home in Illinois. What a great opportunity!  

For those readers who don’t know about Worldcons, science fiction conventions, or the wonderful world of fandom, take a look at this report from the Worldcon in London a few years back to get an idea of the scope, scale, and focus of these wonderful celebrations!

The virtual Worldcon a great experience. The organizers of CoNZealand did an outstanding job of creating both an analog experience and a new way to engage with fandom. I am so grateful to the many people who worked hours and hours to transform a traditional Worldcon into a meaningful online event.

 

I am a panel person. I enjoy many aspects of conventions, but the discussions at panels are my favorite part. The panel selection at CoNZealand was strong, but the online transformation of panels enhanced my experience significantly.

 

By any convention standards, the panels were great. The panelists were expert and articulate, the moderators did a great job of structuring the conversation. There was higher quality interaction between the audience and the panelists (and among the panelists) than at a typical live convention.

 

One of my biggest panel pet peeves is the people (often in the front row) who believe they are panelists and keep participating no matter what the moderator does. We had none of these! It wasn’t possible. There was strong information for moderators and a programming and/or tech person in the background helping structure the panel and making sure the technical details worked. It showed. Things ran beautifully!

 

The use of the Q&A and chat functions in Zoom also enhanced the panel significantly. Those who wanted to participate and provide a running commentary could use the chat feature. This felt both appropriate and a good way to channel (sorry) the need to provide a running commentary on the panel. Many times, panelists pulled ideas and comments from the chat into the panel! It was a multi-leveled conversation.

 

The Q&A function was a great replacement for hands up. Questions could be voted up or down and moderators could control how they asked them. The structure helped create panels that moved forward instead of the constant “back to what so-in-so said ten comments ago.”  

Continuing the panel discussion on Discord added yet another improvement to the convention panels. For me, the only way to continue the conversation started at a panel is to talk to my friends with whom I saw it. If I am lucky enough to spot a panelist, I might be able to bring up points from the panel (which has its own problems). CoNZealand created a dedicated avenue where panelists and audience members could continue their conversation on a Discord channel! This is a great way to deepen engagement and help foster stronger relationships between convention-goers.

 

Since the panels were on Zoom, they were recorded and these recordings were available shortly after the panel and for a week following the con. I attended many panels live but saw even more afterward. I got to see every panel I wanted to attend! I’m still watching them. Of course, I didn’t get the chat and the Discord follow up when I saw the recorded panel, but just being able to see multiple panels that were scheduled at the same time or at a time when I could not attend was a huge bonus! I felt like I got much more from this convention from the sheer number of panels I got to see!

 

I attended some of the parties on Zoom, sat at a fan table for a few hours, and toured the virtual exhibit hall, dealer’s room, and art show, too. While I would have preferred to interact with these in person, I liked being able to see the displays and take as much time as I wanted. I could linger at the art show and browse the dealers’ websites. I even appreciated the ambient sound of a busy convention hall that accompanied this area.

 

I am hoping to be in attendance in D.C. for the next WorldCon, and I do prefer being present in-person to a virtual experience. Yet, there are aspects of the online convention that could be integrated into a live one. Providing an online chat for panels, recording them, having an online discussion area would all be great enhancements. Are these worth the cost and people power to make them happen? I am not sure.

 

Having a virtual track on future conventions does make it more accessible and provides more value for all attendees. Yet, it would require much more work on the part of the organizers. As we envision a post-COVID world, we may need to both prepare for the possibility of an entirely online convention and provide ways for those who cannot travel to participate. CoNZealand did an outstanding job of exploring this brave new world of virtual conventions and I am very grateful! Bravo!

Reading for Treasure: The Hugo Awards!

 

Reading for Treasure is my list of articles (and other readings) that are worth your attention. Click here for an introduction! 

 

Looking for something fun to read, but not ready to start a long book? This month’s Reading For Treasure has some award-nominated short fiction that is outstanding and free!

 

The Hugo nominations were announced last month. The Hugos are the fan nominated and selected awards for science fiction, fantasy, and related genres. To learn more about the Hugos, click here. Fans who are attending or supporting the World Science Fiction convention each summer may nominate and vote for these awards. I try to do this every year, even if I am not traveling to the actual convention. This year, the convention, which was going to be hosted in Wellington, New Zealand, has gone virtual. So you won’t have to travel to participate – or vote for the Hugos!

 

The Hugos have many categories. Here is the official list of all the nominees. Since there were no science fiction conventions during World War II, many worldcons also have RetroHugo awards for a year in which the awards were not given. This year, the RetroHugos are for 1945. Here is the list of Retro nominees.

 

If you register and become a member of the convention (either supporting or attending), not only can you vote for the Hugos, you can also download a reading packet with many of the nominated works in it. Click here to become a member; an attending membership will allow you full access to the online convention. A supporting membership means you will receive all the updates and publications (including the reading packet), be able to vote for the Hugos and the site selection of the 2022 World Science Fiction Convention.

 

However, you can read many of the nominated works without doing anything! Here is a list of nominated short stories and novelettes that are only a click away. Since all of the short story nominees are available online, if you read them all, let me know which you think should win. I am voting!

 

Short Stories:

 

·       “And Now His Lordship Is Laughing” by Shiv Ramdas

·        “As the Last I May Know” by S.L. Huang

·       “Blood Is Another Word for Hunger” by Rivers Solomon

·       “A Catalog of Storms” by Fran Wilde

·       “Do Not Look Back, My Lion” by Alix E. Harrow

·       “Ten Excerpts from an Annotated Bibliography on the Cannibal Women of Ratnabar Island” by Nibedita Sen

 

Novelettes:

 

·       “The Archronology of Love” by Caroline M. Yoachim

·       “Away With the Wolves” by Sarah Gailey

·       “The Blur in the Corner of Your Eye” by Sarah Pinsker

·       Emergency Skin, by N.K. Jemisin  (you have to be a Prime member to read the whole story).

·       “For He Can Creep”, by Siobhan Carroll

·       “Omphalos”, by Ted Chiang  - this one is not available for free

 

 

I am currently reading the Hugo nominated short fiction (short stories, novelettes, and novellas).

 

 

Reading for Treasure: December

Reading for Treasure is my list of articles that are worth your attention. Click here for an introduction! Here are some articles to read before the holidays.

What Sci-Fi Can Teach Computer Science About Ethics: As a teacher of Science Fiction, I believe that the genre can give readers far more than a glimpse into the future. One of the most powerful aspects of SF is its commentary on ethics and morality. Science Fiction is almost always about the present far more than about the future, and this Wired article explores why future computer engineers might benefit from a little SF literature!

The Comforting Fictions of Dementia Care: This long article from The New Yorker debates whether or not we should lie to our relatives with Alzheimer’s and other forms of dementia. My view, before I read this article, was that contradicting and correcting memory challenged adults is irritating to everyone and helps no one. Now, I am not so certain. The moral and ethical issues raised here have given me a great deal to consider.

The Definition Of 'They': This short piece from NPR explores the word “they” as a singular pronoun referring to someone whose gender identity is non-binary. The Merriam-Webster dictionary, as well as many style guides, now recognize the use of the word “they” in this manner. In fact, this use of the pronoun is Merriam-Webster's word of the year! As a former English teacher, using a plural pronoun for a singular subject was a change of habit, but a necessary one: it meant treating my students with the respect and care that they deserved! It was the right thing to do!

The Problem With the “On the Spectrum” Armchair Diagnosis: In this article from Fatherly, the writer makes the argument that, when a non-medical professional says someone is, “on the spectrum”, they are trying to “explain away behavior considered odd. It’s wrong, yes, but also potentially damaging to people living with ASD whose disorder is increasingly misunderstood as it is weaponized.” Just as it is wrong to call someone “retarded,” and use of that word harms more than the person at whom it is directed, this article argues that the overuse of “on the spectrum” has similar ill effects.

White Folks ‘Embarrassed to Admit’ They Just Learned About the 1921 Tulsa Race Massacre Through an Episode of ‘Watchmen’: This Atlanta Black Star article responds to the opening scene in the new HBO series, Watchman, which shows the destruction a prosperous neighborhood in Tulsa, Oklahoma by a Ku Klux Klan attack. It points out that there are important and pivotal parts of our history that have been ignored, erased, or otherwise hidden. While the TV series is addressing contemporary racial issues, watching Watchman should not be the primary way we expand our understanding of the complex and problematic history of race in the United States – and such an understanding is critical for everyone!