I am not a sports person. As a child, my athletic
experiences were painful, humiliating, and drenched in sweat. However, I
married a coach and an athlete and, unsurprisingly, our children have been
involved in performing arts and athletics. When my younger child was waffling
about soccer, I even became a coach for a few seasons.
There is a stark difference in the quality of my children’s
experiences in theatre and sports. With few exceptions, my children’s
experience on high school teams has been uneven and often frustrating and
painful. They have loved their time working on plays and musicals. The key
difference is the adults in charge. Whether it is a play, music ensemble, or athletic
team, there are a few critical strategies that “coaches” can take so it is a
healthy and positive experience for all kids.
Be inclusive: The kids in the theatre are molded into a company. Every student has a job and is actively involved - even if a stagehand only places a prop or a “spear carrier” says only, “dinner is served.” If a student is chosen to be on the team, that student must do more than practice. While I have some qualms with the value, I understand that, at the varsity level, high school sports are about winning. For other levels, inclusion, the development of skills, and time on the field must be valued at least as much as victory.
Build community: The
track team at our school is remarkably close. Kids in theatre productions make
new friends that extend beyond the boundaries of the show. There is a reason
for this. The adults in charge help kids develop deep and meaningful
relationships with each other. To them, kids are far more than chess pieces in
a game. They create experiences in rehearsal and practice that allow kids to go
beyond the superficial and break down “clique” barriers. That has never
happened for my children on their teams and has been a consistent high spot in
their experiences on stage.
Treat kids with
respect and caring: Both of my kids believed that their coaches didn’t really care about them. With only one exception, my children neither liked their coaches nor thought that their coaches liked them. Their relationship was strictly business. In one case, my child feared her coach. My children cherish their relationships with the adults in theatre. Community is built on relationships. In theatre, kids get the message that their participation matters. The technical director and stage director get to know kids. They learn who they are beyond the show. This takes time, but more importantly, it takes adults who really want to connect deeply with kids. I know there are coaches, sponsors, and directors who fit this mold.
Strike a balance between
the needs of the individual and needs of the group: “There is no I in team.” There is no “I” in theatre either. The fact is that kids are individuals. They are not robots who subsume themselves in the collective. They are part of a team (or company), but they are also multidimensional people. They have families, other interests, and unique qualities. It pains me that my children had to sign up for special lessons and participate in club sports to be able to make the cut for teams. Many of my children’s teammates do nothing other than one or two sports. Specialization is what is required to compete. This is sad. I want my children to play sports. I also want them to play musical instruments, participate in clubs, go to youth group, and explore many activities.
Foster kids’ success:
As a teacher, I work hard to help every student succeed. Every child in a
production has a role to play. My children have been frustrated in sports
because they did not have the opportunity to succeed. Furthermore, they didn’t
feel like the coach was their ally. The coach was a critic, who more often than
not gave them a thumbs down.
Our theatre program has a motto: The most important thing is how we treat each other. Can we treat kids in a more humane and caring way? Can inclusion and the development of skills sit side by side with competition? Winning means more than scoring: it is about the quality of kids’ experiences.